Tuesday, February 5, 2013

Catanzariti Edward

Edward Scissorhands, Snow scene

                                                                Edward Scissorhands
Edward Scissorhands is Tim Burtons most touching film. This is probably because of how personal it is to him. Throughout all of his works the reoccurring genre is always a spin off of a fairytale. Edward Scissorhands is the most definitive in showing this. The movie begins with a “once upon a time” kind of introduction and within the first 15 minutes the audience is introduced to the love interest, Kim, and the “castle”.
At both the beginning and the end of the movie Edward reverts back into his “castle”, his house on a hill. He is then initially welcomed into a juxtaposing pastel-colored-suburbia. At first the town seemed to welcome Edward, but the audience then realizes that he was just being used and only liked while people wanted something from him. As the movie progressive the catty side of the neighborhood is brought out, and we are shown how ruthless people have the potential to be.
 Unlike some other movies of Burtons, this one places a greater emphasis on the romantic part of the film. Kim is the “princess” in this fairytale.  She helps make Edward feel loved and somewhat normal toward the end of the film. Sadly though it does not have a perfect-happy-fairytale ending, rather a realistic one that shows that “things don’t always work out”(Gothic Fantasy).  There is no hero in this fairytale though, only the misunderstood monster, Edward. His greatest downfall is his own hope to be accepted. This need for acceptance and love drives him to break into a house for Kim and her boyfriend, but in doing so gets caught and ruins his reputation.
Many of the aspects of this movie remind me of beauty and the beast. Kim is the beauty, and Edward is the misunderstood gentle beast. He just wants acceptance and to feel loved. The Beast from the Disney film locks himself in his castle because society will not accept him, and the same goes for Edward. It is a heart-wrenching fairytale that begins with hope and ends with the realism of reality. 

1 comment:

  1. While I agree that this film strikingly resembles many fairytales like Beauty and the Beast, I think that the romantic build between Kim and Edward was lacking more than it was moving. Although we desperately want Edward to be accepted and find love, I did not see the actual relationship build enough to the grand “I love you” between Kim and Edward. Although we see her become increasingly more compassionate and understanding towards him, I do not think that we see the reality part. I agree that one message is that not everything works out, but their sudden jump to love seemed to work out too easily as an easy sentimental ending. The ending is definitely not a happily ever after, which is why I think that Burton felt the need to give Edward this moment and also show that not all of humanity is doomed since people like Kim can become accepting and loving towards Edward. Although it is considered a romance and Edward clearly cares deeply for Kim, I think that the relationship was not built enough to say that they fell in love at the end. However, it did create a more fairytalesque ending and a more sentimentally moving end to a beautiful film.
    -Leanne Reisz

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